A Guitarist's Approach to the Harmony of Bill Evans
Course Preview
FREE PREVIEWPlease sign in to track your progress
Sign in to purchase this course
Sign InWhat You'll Learn
Sid Jacobs shares his insights studying and dissecting important aspects of pianistic playing as applied to guitar. We've also included newly segmented videos which will allow you to revisit your favorite parts of this video quicker. The new Soundsliced versions of Sid's arrangements will also help you work on his arrangements easier as you can slow down the audio, loop sections and even see fretboard visualizations of the notation and tablature.
Song examples includes classics from Bill Evans like My Bells, Waltz for Debbie and Very Early. In addition to seeing how Sid has translated Bill's approach to guitar, you will also get to see the approach applied to other jazz guitar essentials like All The Things You Are, Stella By Starlight and the beautiful ballad Chelsea Bridge.
Sid also shares tips on how to maximise your practice time for his book, The Bill Evans Guitar Book which is becoming a modern classic for jazz guitarists interested in modernising their chord vocabulary. Prepare your guitar for new sounds you'll be delighted to play and get this masterclass today!
- “Very Early” – arranged for guitar by Sid Jacobs
- “My Bells” – arranged for guitar by Sid Jacobs
- “Turn Out the Stars” – arranged for guitar by Sid Jacobs
- "Waltz for Debbie" - arranged for guitar by Sid Jacobs
- "Very Early" - arranged for guitar by Sid Jacobs
- "Turn Out the Stars" - arranged for guitar by Sid Jacobs
- Rootless voicings - a brief discussion with Sid Jacobs
- "My Bells" - arranged for guitar by Sid Jacobs
Sign in to purchase this course
Sign InCourse Content
1. A Guitarist's Approach to the Harmony of Bill Evans
1h 37m2. Adding Tensions
2m 42s3. Beyond Chord Melody
2m 15s4. Blues Example and Beyond Movable Shapes
4m 32s5. Closing Performance - Ask Me Now and Outro
2m 54s6. Clusters
2m 22s7. Counterpoint Before Harmony
3m 56s8. Dominant Sounds
4m 24s9. Introduction
1m 34s10. Lenny Breau and The Guitar as An Orchestra
2m 49s11. More Colors
4m 39s12. My Bells and Using Open Strings
8m 36s13. Opening Performance - Bill Evans Medley
6m14. Playing 3rds and 7ths - Voice Leading
5m 1s15. Q and A - Chelsea Bridge Example and Dynamics
4m 42s16. Q and A - Contrapuntal Improvising
8m 32s17. Q and A - How to use The Bill Evans Guitar Book
7m 41s18. Q and A - Omitting Roots
4m 55s19. Soundslice - My Bells
5s20. Soundslice - Turn Out the Stars
5s21. Soundslice - Waltz for Debbie
5s22. Stella By Starlight Example
3m 31s23. The Line Cliche, Counterpoint, Harmonic and Rhythmic Cadence
4m 55s24. The Sound of All The Things You Are
3m 46s25. Very Early Example
3m 56s26. Waltz For Debbie
4m 36sReviews & Ratings
"A true gem..."
How this class hasn't been rated yet is unfathomable to me. It's lessons like this that make Mike's such an invaluable resource to musicians. Some folks will want to complain about the sound or picture quality (I think this was one of the earlier lessons on the site) but if you can get beyond that and really listen and play what Jacobs is getting at with regard to Bill Evans and his concepts - you'll be in for a real treat. Jacobs takes something that could easily be bogged down with technical jargon and technique issues, cuts through it all, and presents a thoroughly captivating look into the insights he has gained from studying Evans piano playing. The most important part (of any of Mike's lessons) is that you put in the time playing. There is no hand-holding here... if you want those kind of lessons go elsewhere... these are real lessons for real players.) To be able to spend an hour and a half in the presence of one master teaching the music of another master is a rare treat. To watch and listen to Jacobs think through all of this material is pure gold. Do not hesitate checking out this course. It's the sort of lesson that rewards repeated watching and most importantly, playing through. Your playing will thank you; your bass-player and piano-players will thank you... I just can't say enough great things about this course.