A Guitarist's Approach to the Harmony of Bill Evans
“How this class hasn't been rated yet is unfathomable to me. It's lessons like this that make Mike's such an invaluable resource to musicians. Some folks will want to complain about…”
Sid Jacobs shares his insights studying and dissecting important aspects of pianistic playing as applied to guitar. We've also included newly segmented videos which will allow you to revisit your favorite parts of this video quicker. The new Soundsliced versions of Sid's arrangements will also help you work on his arrangements easier as you can slow down the audio, loop sections and even see fretboard visualizations of the notation and tablature.
Song examples includes classics from Bill Evans like My Bells, Waltz for Debbie and Very Early. In addition to seeing how Sid has translated Bill's approach to guitar, you will also get to see the approach applied to other jazz guitar essentials like All The Things You Are, Stella By Starlight and the beautiful ballad Chelsea Bridge.
Sid also shares tips on how to maximise your practice time for his book, The Bill Evans Guitar Book which is becoming a modern classic for jazz guitarists interested in modernising their chord vocabulary. Prepare your guitar for new sounds you'll be delighted to play and get this masterclass today!
- “Very Early” – arranged for guitar by Sid Jacobs
- “My Bells” – arranged for guitar by Sid Jacobs
- “Turn Out the Stars” – arranged for guitar by Sid Jacobs
- "Waltz for Debbie" - arranged for guitar by Sid Jacobs
- "Very Early" - arranged for guitar by Sid Jacobs
- "Turn Out the Stars" - arranged for guitar by Sid Jacobs
- Rootless voicings - a brief discussion with Sid Jacobs
- "My Bells" - arranged for guitar by Sid Jacobs
Course Content
Lessons
- A Guitarist's Approach to the Harmony of Bill Evans5869
- Adding Tensions162
- Beyond Chord Melody135
- Blues Example and Beyond Movable Shapes272
- Closing Performance - Ask Me Now and Outro174
- Clusters142
- Counterpoint Before Harmony236
- Dominant Sounds264
- Introduction94
- Lenny Breau and The Guitar as An Orchestra169
- More Colors279
- My Bells and Using Open Strings516
- Opening Performance - Bill Evans Medley360
- Playing 3rds and 7ths - Voice Leading301
- Q and A - Chelsea Bridge Example and Dynamics282
- Q and A - Contrapuntal Improvising512
- Q and A - How to use The Bill Evans Guitar Book461
- Q and A - Omitting Roots295
- Soundslice - My Bells5
- Soundslice - Turn Out the Stars5
- Soundslice - Waltz for Debbie5
- Stella By Starlight Example211
- The Line Cliche, Counterpoint, Harmonic and Rhythmic Cadence295
- The Sound of All The Things You Are226
- Very Early Example236
- Waltz For Debbie276
Reviews & Ratings
"A true gem..."
How this class hasn't been rated yet is unfathomable to me. It's lessons like this that make Mike's such an invaluable resource to musicians. Some folks will want to complain about the sound or picture quality (I think this was one of the earlier lessons on the site) but if you can get beyond that and really listen and play what Jacobs is getting at with regard to Bill Evans and his concepts - you'll be in for a real treat. Jacobs takes something that could easily be bogged down with technical jargon and technique issues, cuts through it all, and presents a thoroughly captivating look into the insights he has gained from studying Evans piano playing. The most important part (of any of Mike's lessons) is that you put in the time playing. There is no hand-holding here... if you want those kind of lessons go elsewhere... these are real lessons for real players.) To be able to spend an hour and a half in the presence of one master teaching the music of another master is a rare treat. To watch and listen to Jacobs think through all of this material is pure gold. Do not hesitate checking out this course. It's the sort of lesson that rewards repeated watching and most importantly, playing through. Your playing will thank you; your bass-player and piano-players will thank you... I just can't say enough great things about this course.
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