Jazz Blues Masterclass
Blues and Pentatonics - Part I
About this masterclass
David Cohen teaches the foundations of blues improvisation for guitarists who are relatively new to soloing: the major and minor 12-bar blues forms and the many ways to use the minor pentatonic "box" — though more experienced players will find plenty here too.
The most basic 12-bar blues has three primary chords — I, IV, V in the major blues, i, iv, v in the minor — and David builds everything from the ground up, starting with learning the notes on the 6th string so you can find the box in any key.
What's covered
- The minor pentatonic box position and other common "start frets" for it
- Chord shapes for the 12-bar blues: boogie power chords, E7-shape barre chords, shell voicings, and top-four-string (T4) voicings with 9ths
- The diatonic approach, plus matching major or minor pentatonics to each chord
- Suspended sounds highlighting the 9th and 11th, altered sounds for transitions, and free chromatic connection
- Other scales and modes beyond the minor pentatonic, introduced and explored
- David's highlighting/aiming method for targeting scale degrees, so each new position sounds convincing from the first try
- Common turnarounds
These ideas are basic and fundamental to improvisation — a solid first step for any guitarist getting into blues soloing. Full class runs about 76 minutes.
Lessons in this masterclass
Lessons
- 1Blues and Pentatonics - Part I1h 16m
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About the instructor
David Cohen →
Baltimore-based Composer/Guitarist/Drummer/Educator David E. Cohen is featured in a number of groups including No Signal, a modern classical and jazz ensemble, the Banana Channel which performs his progressive rock, jazz-fusion, and classic rock pieces, the No Land Band in which he is the lead guitarist and a contributing songwriter. Mr. Cohen has composed a number of jazz and classical works, including pieces for big band, four-guitar ensemble, chorus with electric guitar, solo double bass, full orchestra, chamber orchestra and soprano, brass quintet, solo percussion, amongst many others. His musical influences are diverse, including John Coltrane, Wayne Shorter, Herbie Hancock, Jean-Luc Ponty, Return to Forever, Billy Cobham, Mahavishnu Orchestra, Tony Williams, Charlie Christian, Pat Martino, Kenny Burrell, Joe Pass, George Benson, Jimmy Smith, The Brecker Brothers, Larry Coryell, Bartok, Stravinsky, Debussy, Messaien, Shostakovich, Prokofiev, Steve Reich, The Beatles, Stevie Wonder, Yes, Emerson Lake and Palmer, Kansas, Rush, Soundgarden, Led Zeppelin, David Bowie, Mastodon, and others. As an educator, Dave offers a unique view in his teaching methods. Trained at the world-class Peabody Conservatory by Paul Bollenback, Tim Murphy, Chris Theofanidies, Kevin Puts, Nicholas Maw, Shafer Mahoney, Paul Mathews, and Libby Larsen, he has many timeless compositional and jazz ideas to share. His instruction style is a fully comprehendible, step-by-step approach which emphasizes the understanding of music theory through an incredibly thorough system of guitar fingerings and visualization methods. Dave has many years of teaching experience and shares them week after week with his 25-student studio. David will present basic classes for the entry-level jazz guitarist.

