Blues and Pentatonics - Part I

David Cohen·
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·BEGINNER·Jazz Blues·1 lesson
"Blues and Pentatonics – Part I" - Pentatonic Box Possibilities - Major and Minor 12 Bar Blues - This lesson is aimed at the guitarist who is relatively new to improvisation (though others may benefit here as well).  The most basic 12 bar blues form has three primary chords:  the major 12 bar blues is I IV V, (the UPPERcase roman numerals means these are major chords) and the minor 12 bar blues is i, iv, v (the lowercase means these are minor chords.)  There are a number of scale options, the primary one being the minor pentatonic scale position, or simply "the box."  Many approaches to this scale along with common other "start frets" for the box will be discussed, including: the "diatonic" approach, using appropriate major pentatonics over each chord, using appropriate minor pentatonics over each chord, suspended sounds which highlight the 9th and 11th, altered sounds for transitioning, and free chromatic connection.  In addition to the minor pentatonic, other scales and modes will be introduced, explained, and explored.  My method of "highlighting/aiming" for scale degrees is discussed in depth so that each new position will sound convincing from the first time you try it.  Common turnarounds will be discussed as well.  These ideas are basic and fundamental to improvisation. View a clip from this class

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  • Blues and Pentatonics - Part I4560

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About the instructor

David Cohen
Baltimore-based Composer/Guitarist/Drummer/Educator David E. Cohen is featured in a number of groups including No Signal, a modern classical and jazz ensemble, the Banana Channel which performs his progressive rock, jazz-fusion, and classic rock pieces, the No Land Band in which he is the lead guitarist and a contributing songwriter. Mr. Cohen has composed a number of jazz and classical works, including pieces for big band, four-guitar ensemble, chorus with electric guitar, solo double bass, full orchestra, chamber orchestra and soprano, brass quintet, solo percussion, amongst many others. His musical influences are diverse, including John Coltrane, Wayne Shorter, Herbie Hancock, Jean-Luc Ponty, Return to Forever, Billy Cobham, Mahavishnu Orchestra, Tony Williams, Charlie Christian, Pat Martino, Kenny Burrell, Joe Pass, George Benson, Jimmy Smith, The Brecker Brothers, Larry Coryell, Bartok, Stravinsky, Debussy, Messaien, Shostakovich, Prokofiev, Steve Reich, The Beatles, Stevie Wonder, Yes, Emerson Lake and Palmer, Kansas, Rush, Soundgarden, Led Zeppelin, David Bowie, Mastodon, and others. As an educator, Dave offers a unique view in his teaching methods. Trained at the world-class Peabody Conservatory by Paul Bollenback, Tim Murphy, Chris Theofanidies, Kevin Puts, Nicholas Maw, Shafer Mahoney, Paul Mathews, and Libby Larsen, he has many timeless compositional and jazz ideas to share. His instruction style is a fully comprehendible, step-by-step approach which emphasizes the understanding of music theory through an incredibly thorough system of guitar fingerings and visualization methods. Dave has many years of teaching experience and shares them week after week with his 25-student studio. David will present basic classes for the entry-level jazz guitarist.