Chord Voicings Masterclass
Comping Concepts Part Two: Ballads and Jazz Waltz
“There aren't enough stars there for this class!! such great material so well presented, I just finished it, and I can't recommend it enough. I now have a ring binder of nothing but…”
About this masterclass
In this second class on comping we’ll look at ballads and jazz waltzes and the types of comping that work well for each. Tunes will include My Romance, In A Sentimental Mood, Emily and West Coat Blues. On ballads, chordal fills will be demonstrated along with the integration of single notes and double stops in appropriate places backing the melody. Voice leading with usage of upper structure triads and passing chords will be shown using both rootless voicings and conventional drop 2 and drop 3 shapes. On jazz waltzes we’ll add aspects of rhythmic displacement and the use of half notes to create “over the bar line” phrasing. Also we’ll continue with essential tone comping and expanding the voicings to include extra notes. Some of the phrases that are included in the written examples are reminiscent of Ed Bickert and Jim Hall’s comping. Having a clear idea of voice leading through chord changes along with rhythmic diversity and swing, will make comping more effective, creative and fun! View clips from Steve's Class
Lessons in this masterclass
Lessons
- 1Comping Concepts Part Two: Ballads and Jazz Waltz1m 31s
Reviews & Ratings
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Dane Clarke
Verified Purchase
1/13/2022
"Comping Concepts Part Two: Ballads and Jazz Waltz | by Steve Herberman"
Excellent as always. Steve's a wealth of knowledge.
Martin Blanes
12/12/2008
Wow! If you are bored of the way you comp this is really your class! Also it is if you have felt envy of this beautiful compings piano players do. It helps lots to scape from the "grip system sindrome" guitar players use to fall in.<br /> <br /> Very clearly and neatingly written examples. It is like fresh air to my playing ;)
james seaberry
Verified Purchase
11/18/2008
There aren't enough stars there for this class!! such great material so well presented, I just finished it, and I can't recommend it enough. I now have a ring binder of nothing but Mike's Masterclass material, and that, plus the stuff from David Oakes/Jimmy Wyble gives me all I need to get the ideas I have had but did not know how to express.
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About the instructor
Steve Herberman →
Steve Herberman is an exceptional guitarist…known for his deft counterpoint" –Downbeat Magazine. "The clarity and balance Steve gets with his right hand is amazing". – Jim Hall. "Steve’s improvising is uniquely fresh with melodic ideas that twist and turn and perk your interest with occasional elements of humor as well. There is a constant groove in his solo lines. He shows prowess harmonically and linearly with an abundance of chops and with an exceptional clarity to it all." – Gene Bertoncini Steve Herberman taught jazz guitar on the faculty of Towson University near Baltimore MD for 14 years and is presently teaching guitar at Sidwell Friends School, Washington Conservatory and is an ensemble coach for the Jazz Band Masterclass. He has presented guitar masterclasses in Italy and the U.K. and at many universities across the U.S. Steve has written instructional material for Downbeat magazine, Mel Bay’s Guitar Sessions, Just Jazz Guitar, Fingerstyle Guitar Journal and Fingerstyle 360 webzines. Steve Herberman is a graduate of Berklee College Of Music and has performed with renowned musicians such as Keter Betts, Buster Williams, Gary Bartz, Drew Gress, Chuck Berghofer, Harvie S, Mark Ferber, Jim Snidero, Ali Ryerson, Steve Williams, Steve LaSpina, Jeff Hirshfield, John Pisano and many more. Steve Herberman has recorded three CDs as a leader; Thoughtlines (2001) Action:Reaction (2006) and Ideals (2008.) In 2014 Steve recorded a live duo album with fellow guitarist Steve Abshire titled "Between Friends.” In 2017 Steve recorded a duo CD with award-winning vocalist Lena Seikaly, set for a Feb. 2018 release.