Composition Masterclass

Comprovisation - The Missing Link

Jamie Taylor·
5.0 (2 reviews)
·INTERMEDIATE·1 lesson·1h 15m of video

About this masterclass

Jamie Taylor introduces "comprovisation" — his blend of composition and improvisation — in this 1-hour-15-minute class on how jazz musicians actually generate vocabulary. The most common questions Jamie hears as a teacher are "How do I get more vocabulary into my solos?" and "What's the most efficient way to transcribe?" His answer: rummaging around on scale and arpeggio fingerings won't make music fall out of the guitar, and transcribing without creatively manipulating what you find usually means nothing sticks. You have to think like a composer and consciously build your vocabulary in the practice room.

In the full class

  • Nine melodic ideas from diverse sources including Oscar Peterson, Joe Henderson, Dizzy Gillespie, and John Coltrane, spanning mainstream and contemporary styles — some drawn from famous composed melodies
  • Analysis of how each phrase is structured and how it can be developed beyond its original context
  • Demonstrations on well-known tunes used as "test beds," often in contexts quite different from the source
  • A PDF booklet with a selection of the resulting lines transcribed and tabbed out
  • Synchronized on-screen captions and timecodes for cross-referencing video and written materials

This isn't a lick library — the point is to learn the creative process of transforming material until it feels like your own, so it can come out spontaneously in the moment. For improvisers who know some theory and have transcribed, but feel their solos still don't sound like jazz.

Lessons in this masterclass

Lessons

  • 1Comprovisation - The Missing Link1h 15m

Reviews & Ratings

5.0
2 reviews
5
2
4
0
3
0
2
0
1
0
Gy Moten
4/2/2018

Jamie, "KNOCKED IT OUT THE PARK" with this Masterclass “Comprovisation” The missing Link, what a great introduction to playing patterns or melodic fragments as Jamie presents them. I am glad Jamie opens up the video explaining that Comprovisation is a word he made up. In short, it is condition (pattern) playing combined with spontaneous expression (improvisation). Jamie is quick to point out that these are not licks, but compositional elements borrowed from other sources. If you have the time, I suggest that you listen to the original source material to fully comprehend the potential of the pattern/fragment. Jamie borrows material for his patterns from the jazz repository: Strong melodic fragment from a well-known standard, melodic fragment(s) from a Jazz icon’s solo that he extended into a pattern(s), Scale fragments and arpeggios. To get the most out of the material, you should probably have a rudimental knowledge of chord progressions and harmony. The value of practicing patterns is understanding the musical situation the pattern fits in. In my opinion, practicing patterns in the wrong place or wrong key can be counter-productive. Jamie helps with this effort by listing the chords for most of the progressions and walks you through his thought process for applying the patterns to common progressions. Specifically, how to work your way into the pattern and how to work your way out of the pattern and resolving to the tonic of the key. This is an excellent way to absorb the jazz language. By continuously practicing this material and constantly adding to the patterns contained in this masterclass; hopefully, you will find that this material will integrate with sounds that you are already familiar with, and become a part of your muscle memory. And ultimately, be improvised and performed effortlessly in the moment. Good luck, and thank you Jamie for another great class.

Mano Flick
1/20/2018

"He did it again!"

Not every musician is a good teacher, but Jamie definitely is both. If you are (like myself) well informed, have practised hours, days and years, but your playing is still somehow just about average than I strongly recommend Jamies videos (all of them). He seems to know my questions, shows me exactly what to do or redo or makes me look at well known material from a new and more acessible point of view. I just love it.

Related Courses

About the instructor

Jamie Taylor
Jamie Taylor is one of Great Britain's finest jazz guitarists. His clear methodology is highly unique and highly innovative; truly one of jazz's finest minds. Jamie’s playing has drawn praise from top critics like The Guardian’s John Fordham and Jazzwise’s Robert Shore, and he has been heard with leading jazz musicians from both sides of the Atlantic such as Sheryl Bailey, John Stowell, Roni Ben-Hur, Sebastiaan DeKrom, Wayne Escoffery, Dave O’Higgins, Baptiste Herbin, Bart DeFoort, Steve Fishwick, Jeremy Brown, Steve Watts, Kate Williams, Pete Whittaker, Laura Jurd, Tori Freestone, Alan Barnes, and Jim Mullen. He appears regularly at top London venues such as Ronnie Scott’s and The Troubadour, and has also been featured on recordings for the jazz labels Candid and GLP. Jamie is currently a Principal Lecturer in Jazz Guitar at Leeds Conservatoire, whose full-time jazz degree course is one of the oldest in Europe (having started in 1967). He also held the post of Course Leader for this program between 2007-2009. For more information about Jamie, visit http://www.jamie-taylor.com/ PRESS: “An uncanny ability…always grooving.” Matt Warnock, Just Jazz Guitar“ “Taylor is a name to watch out for.” Stephen Graham, Marlbank “An alternative perspective on the blues legacy, taking in elements of swing, bop, and funk. It’s clever, engaging stuff.” Robert Shore, Jazzwise “(Jamil Sheriff) gives the soloists in a fine northern orchestra their cues; Jamie Taylor’s edgy guitar burns through.” John Fordham, The Guardian