Connecting Your Ears, Mind and Fingers: 2023 Live Sessions [6 Weeks]
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FOUR Full Previous Session of Paul's Ear Training course included Ever have a great idea you want to play, yet when you go to play it, it somehow doesn't come out right? Want to make a better connection between what your ear is hearing and what your hands are doing on the guitar? This course addresses putting the basic building blocks of music into your ears and under your fingers at the same time. Both Melodic and Harmonic hearing and playing will be covered. This system is based on the material taught by Dr. Asher Zlotnik to many great players around the world, and adapted specifically for jazz guitar by Paul Bollenback. Learn the sound, location, uses and construction of all the intervals, scale fragments, triad shape, chromatic approaches and outlines of harmony, ultimately applying the material to improvising on tunes. The classes will be recorded and a link sent after each class for download, so you will be able to review at your leisure, in perpetuity. Intermediate/Advanced players, some music theory knowledge required (intervals, scales, chord construction). 26 PDF files included totaling 55 pages.
- Aebersold Inerval List
- Autumn Leaves pivots
- Pivots on blues
- Pivot random chords
- Days of Wine and Roses pivots
- Ear Training Process
- Graphic Intervals
- Graphic singing shapes
- Graphic Triads
- Guitar Window Graphic Triads
- Harmonic hearing basics
- Harmonic resistance technique
- Melodic ear trainning locations on guitar intervals
- Melodic ear training methodology
- MET locations semitones
- MET location tetrachords
- MET location triads
- Modes of major in tetrachords
- Modes of melodics minor in tetrachords
- Paul's associated repertoire
- Random triads
- Semitone fragments
- Tetrachord construction and repertoire
- Tetrachords
- Triadic shapes
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Section 1
1. 1: 3-19-22 Live Instruction
1h 43m2. 1: 3-7 Session
1h 17m3. 1: 5-23 live session + PDFs
1m 41sSection 2
4. 2: 3-14 live session
1h 13m5. 2: 3-26-22 Session
1h 22m6. 2: 5-30 live session
1m 39s7. 2-18-23 Ears Mind Fingers Live
1h 35m8. 2-25-23 Ears Mind Fingers Recording
1h 31mSection 3
9. 3: 3-21 live session
1h 12m10. 3: 4-2-22 Live Session
1h 35m11. 3: 6-6 live session
1m 47s12. 3-11-23 Live Session
1h 27m13. 3-18-23 Live Session: Methodology for Improvisation
1h 36m14. 3-25-23 Live Session
1h 28m15. 3-4-23 Live Session
1h 23mSection 4
16. 4: 3-28 live session
1h 20m17. 4: 4-16-22 Live Session
1m 9s18. 4: 6-13 live session
1m 38sSection 5
19. 5: 4-23-22 Live Session
1m 31s20. 5: 4-4 live session
1h 17m21. 5: 6-27 live session
1m 36sSection 6
22. 6: 4-11 live session
1h 27m23. 6: 4-30-22 Live Session
2m 36s24. 6: 7-11 live session
1m 37sMain Content
25. Modes of Major in Tetrachords - Soundslice
26. Modes of the Melodic Minor In Tetrachords - Soundslice
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