Mindfulness Masterclass
Discover, Develop, Integrate: Techniques Unveiled

About this masterclass
Bassist Mark Dresser presents his vocabulary of extended techniques for the double bass — a personal musical language developed through improvisation, transcription, and composition. This lecture-demonstration was streamed live and recorded at the ISB 2009 Convention in State College, PA.
What's covered
- The overtone series as the foundation of extended technique: partials, nodes, and how subdividing the string maps where to place your bow and hands
- How the relative volume of partials creates timbre and tone color
- Just intonation vs. equal temperament — expressing intervals as ratios and hearing where the two systems intersect
- Mapping harmonics against equal-tempered half steps on the fingerboard
- Dresser's catalog of techniques: two-handed tapping, bitones, harmonic-specific flautando, artificial harmonics, multi-nodal harmonics, subharmonics, and multiphonics
- His custom-made pickup system, which amplifies and expands these sonic possibilities
For bassists curious about what lies beyond conventional technique, Dresser shows how the combination of intuition and understanding opens new melodic, harmonic, rhythmic, and sonic territory.
Lessons in this masterclass
Lessons
- 1Discover, Develop, Integrate: Techniques Unveiled51s
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About the instructor
MARK DRESSER →
Mark Dresser is an internationally acclaimed bass player, improviser, composer, and interdisciplinary collaborator.He has appeared in over one hundred recordings including nearly thirty CDs as a soloist, band-leader or collaborator. His current collaborations include Trio M with Myra Melford and Matt Wilson and their acclaimed CD "Big Picture" (Cyptogramophone), a duo with Roswell Rudd, the trio, Mauger, with Rudresh Mahanthappa and Gerry Hemingway, and trio, Jones Jones with Larry Ochs and Vladimir Tarasov. For eighteen years he lived and worked in New York City where he recorded and performed with some of the strongest personalities in contemporary music and jazz including nine years with Anthony Braxton's quartet as well as groups led by Ray Anderson, Jane Ira Bloom, Tim Berne, Anthony Davis, Dave Douglas, Satoko Fujii, Osvaldo Golijov, Gerry Hemingway, Bob Osertag, Joe Lovano, Henry Threadgill, Dawn Upshaw, John Zorn. A major focus has been extending the sonic and musical possibilities of the double bass through the use of unconventional amplification. A chapter on his extended techniques for contrabass, "A Personal Pedagogy," appears in the book, ARCANA. In 2001 he was nominated for a Grammy. He is Professor of Music at University of California, San Diego, where he had previously studied with Bert Turetzky. He has also been a lecturer at Princeton University, faculty at the New School University, and Hampshire College. He is on the board of directors of the International Society of Bassists and the advisory board of International Society of Improvised Music.
