Harmonics Masterclass

Expanding Guitar's Harmonic Vocabulary with Artificial Harmonics p. II

Genil Castro·
5.0 (1 review)
·INTERMEDIATE·11 lessons·1h 19m of video

About this masterclass

Brazilian jazz guitarist Genil Castro continues his exploration of artificial harmonics, inspired by the playing of Lenny Breau. Where Part I covered the core technique, Part II gets into the finer points of what Genil calls the "electric lap piano": using harmonics to play closed, pianistic voicings that would otherwise be nearly impossible on the guitar.

What's covered

  • Plurality — how one voicing can serve multiple harmonic functions, a concept Genil first found in Ted Greene's books
  • How adding a harmonic transforms the voicing: understanding exactly which chord and inversion you're creating
  • All four inversions of closed voicings — root position through third inversion — built from playable drop 2 and drop 3 shapes
  • Chord alterations and extensions: turning major 7 chords into altered dominants and rootless extended voicings
  • Bill Evans-style voicings and six-note melodic minor chords
  • Voice-led major and minor II-V-I examples
  • Putting it all together, with musical examples drawn from Stella By Starlight and My Funny Valentine

An essential continuation for anyone who studied Part I. Includes 17 pages of PDF materials in standard notation and TAB, plus Soundslice-enhanced versions of all written examples for looping and slow-down practice. Full video is 31 minutes.

Lessons in this masterclass

Lessons

  • 1All PDF examples (Synthetic Audio) - Soundslice15m 5s
  • 2Awareness of the Chord Being Created4m 48s
  • 3Chord Alterations and Extensions5m 22s
  • 4Expanding Guitar's Harmonic Vocabulary with Artificial Harmonics Part II31m 48s
  • 5Introduction - Plurality3m 32s
  • 6Inversions for Closed Voicings4m 47s
  • 7Minor II V I Voicings3m 53s
  • 8My Funny Valentine (Real Audio/Video) - Soundslice27s
  • 9Opening Performance - Stella By Starlight1m 7s
  • 10Putting It All Together and Conclusion4m 39s
  • 11Using 6 Notes and Bill Evans Type of Voicings3m 41s

Reviews & Ratings

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james seaberry
Verified Purchase
2/14/2019

Fantastic class! I first became aware of his music some years ago through Youtube, and when I saw this class being offered, I jumped at it without hesitation, and I'm glad I did.

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About the instructor

Genil Castro
Studies: Genil Castro started to play in 1981, he studied with the great Bossa Nova guitar player Sidney Barros ( Gamela). During the period of 1983/84 Genil enrolled Guitar Institute of Technology in Hollywood, California where he attended workshops and seminars by Lenny Breau, Howard Roberts, Mick Goodrick, Joe Diorio, Ron Eschete, Joe Pass, Tommy Tedesco, Larry Coryell and Moacir Santos. He also attended seminars by Joe Diorio in Brazil in 1985, 1989 and 1995. Licensed in music education by University of Brasília, Genil has a Masters Degree in Musicology, with the thesis: “What chord is that? Plurality: the creative process of resignification of melodic and harmonic structures” Performance: Influenced by Lenny Breau and Bill Evans Genil follows the tradition of the ‘electric lap piano” utilising artificial harmonics to expand the harmonic palette of the instrument. Genil played concerts, and/or recorded TV programs with João Donato, Hamilton de Holanda, Toninho Horta, Joe Diorio, Jeff Andrews, Don Burrows, Phil DeGreg, Lula Galvão, Nelson Faria and many others. He recorded the CD CircumAmbulation in 2009. Teaching: Genil teaches the following classes: guitar, history of the guitar and performance at CEP/EMB Escola de Música de Brasília since 1999. He gave seminars in various festivals across the country. Since 2006 he teaches online lessons to students from different continents. Genil Castro's approach to jazz is comfortable for any level of guitarist. He has a unique ability to teach difficult concepts in a simple way.