Exploring the Chord/Single Note Line Connection
Course Preview
FREE PREVIEWPlease sign in to track your progress
Sign in to purchase this course
Sign InWhat You'll Learn
Sign in to purchase this course
Sign InCourse Content
1. Exploring the Chord/Single Note Line Connection
1h 27mReviews & Ratings
Great Video and a Great Lesson! It's basically a system of organizing great sounding arpeggiated chord shapes over standard progressions. First half focuses on ii V's with some REALLY GREAT voice leading and extensive use of the Altered scale. IT really makes those colors easy to obtain all around the neck and gives you some great chord subs. IT can go even deeper if you look at all the other possible uses of the melodic minor over dominant chords. <br /> <br /> Great Extensive PDF files with some great exercises.<br /> <br /> The lesson also dives into passing tones based on the shapes and the diminished sound over dominant chords. And something I think sounds like a pedal steel guitar technique...but it is using standard chord shapes and playing in a legato fashion to incorporate single note lines into full ringing chords. Very Frisellian. <br /> <br /> Great lesson and better teacher.
Another challenging but extremely useful lesson from Steve. I found this one to be a great way to expand both my chordal and melodic vocabulary. After working through the material, I noticed I 'saw' harmony on the neck better, and as a result, saw more improvisational possibilities. The class material is not easy, but I found it all playable and adaptable to my style and was fun to pop over tunes. The 'gradual' chords section was an eye-opener. I am still trying to get the concept down, but it is intriguing. Steve shows great ease in teaching and makes the material seems 'reachable', even to those who don't possess his level of fluency. Highly recommended to those wanting to 'see' harmony/melody on the neck better.
This class provides extremely useful and creative concepts. The concepts are clearly explained and demonstrated by Steve in the class. Steve also provides a considerable amount of written material, which will keep you motivated to practice for months!
This is the ideal basis for attaining the style of modern players like Lenny Breau, Lorne Lofsky, Ed Bickert, Bruce Saunders, Adam Rogers, guys that incorporate a lot of chord fragments into their lines. I once had a teacher who made me play something, and at ANY random point, would yell, "STOP!!! Play the chord you're over NOW!!!" For single-note players, this course is the way to visualize that.