Rhythm Masterclass

Further Phrasing Concepts

Jamie Taylor·
5.0 (3 reviews)
·BEGINNER·1 lesson·1h 9m of video

About this masterclass

Jamie Taylor teaches exercises and ideas for taking your jazz phrasing beyond "square" four-measure boxes — achieving maximum rhythmic interest and variety in 4/4 and 3/4 time. If you can get around the changes but feel trapped by the bar lines, or fall into repetitive patterns when comping, this lesson is aimed squarely at you. As Jamie notes, almost all of his intermediate to advanced students tell a version of this story, and it's something he keeps working on himself.

The lesson includes

  • Exercises to help you start and end phrases anywhere within a 4/4 measure
  • Polyrhythmic exercises superimposing 3/4 against 4/4 — and 4/4 against 3/4
  • Feeling 4/4 as 12/8 to open up phrasing possibilities
  • Explanation and demonstration of metric modulation
  • Uneven melodic and rhythmic groupings against a regular 4/4 pulse
  • Synchronized on-screen captions so you know exactly what you're hearing, when you're hearing it
  • A neatly presented PDF transcription of all materials, cross-referenced with the captions

This is a stand-alone lesson, but it complements Jamie's Jazz Time Feel class: that one gives your sense of time a workout, while this one is about being rhythmically creative — and demystifying the rhythmic things we love on our favorite records.

Lessons in this masterclass

Lessons

  • 1Further Phrasing Concepts1h 9m

Reviews & Ratings

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Gabriel Ene
6/10/2020

"Exceptional!!!"

An exceptional more than useful course. Thank you very much Jamie.

Caroline Merrill
9/22/2011

A fantastic lesson on a crucial yet overlooked topic--rhythm and phrasing. In seeking greater versatility in improvisation, guitarists may pore endless hours over harmonic considerations, only to diversify their eighth note lines.<br /> <br /> But some of the greatest and most rewarding challenges are found in explorations of time. Jamie's lesson thoroughly demonstrates the fun and the value of enhancing one's familiarity with the topic. This purchase is indispensable for anyone wanting to expand his or her musical wisdom and artistic creativity in the dimension of rhythm. Many thanks, Master Taylor!

SCOT GORMLEY
8/4/2011

Another great class from Jamie! When paired with his Jazz Time Feel video, you get a great overview of practical methods for improving jazz time feel. What could be more important? <br /> <br /> In this video, Jamie demonstrates many rhythmnic devices and plays some nice lines that really get inside the time.<br /> <br /> I'd really like to see Jamie do a video on Rhythm Changes, too, as he plays great over that form.

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About the instructor

Jamie Taylor
Jamie Taylor is one of Great Britain's finest jazz guitarists. His clear methodology is highly unique and highly innovative; truly one of jazz's finest minds. Jamie’s playing has drawn praise from top critics like The Guardian’s John Fordham and Jazzwise’s Robert Shore, and he has been heard with leading jazz musicians from both sides of the Atlantic such as Sheryl Bailey, John Stowell, Roni Ben-Hur, Sebastiaan DeKrom, Wayne Escoffery, Dave O’Higgins, Baptiste Herbin, Bart DeFoort, Steve Fishwick, Jeremy Brown, Steve Watts, Kate Williams, Pete Whittaker, Laura Jurd, Tori Freestone, Alan Barnes, and Jim Mullen. He appears regularly at top London venues such as Ronnie Scott’s and The Troubadour, and has also been featured on recordings for the jazz labels Candid and GLP. Jamie is currently a Principal Lecturer in Jazz Guitar at Leeds Conservatoire, whose full-time jazz degree course is one of the oldest in Europe (having started in 1967). He also held the post of Course Leader for this program between 2007-2009. For more information about Jamie, visit http://www.jamie-taylor.com/ PRESS: “An uncanny ability…always grooving.” Matt Warnock, Just Jazz Guitar“ “Taylor is a name to watch out for.” Stephen Graham, Marlbank “An alternative perspective on the blues legacy, taking in elements of swing, bop, and funk. It’s clever, engaging stuff.” Robert Shore, Jazzwise “(Jamil Sheriff) gives the soloists in a fine northern orchestra their cues; Jamie Taylor’s edgy guitar burns through.” John Fordham, The Guardian