Chord Melody Masterclass

"Georgia" Melody Support by 4/4 Rhythm

Howard Alden·
4.0 (1 review)
·BEGINNER·20 lessons·6h 13m of video

About this masterclass

Master jazz guitarist Howard Alden teaches how to play 4/4 rhythm guitar and an independent melody at the same time, using his solo guitar arrangement of the Hoagy Carmichael standard "Georgia on My Mind". The core idea: keep the right hand strumming quarter notes — like playing Freddie Green-style rhythm for yourself — while anticipating melody notes with an upstroke, creating the effect of two guitarists playing.

What's covered

  • The basic concept: quarter-note rhythm in the right hand with the melody picked out on top
  • A full one-chorus arrangement with moving bass lines and inner voices, broken down section by section
  • Putting the melody in the lower voice with harmony added above, plus tips for harmonizing it
  • The bridge: ostinato open-D bass and a descending bass line against the melody
  • A stride piano variation — bass note on beats 1 and 3, chord on 2 and 4, melody juggled in between
  • Multiple slow play-throughs so you can learn every note, then performance versions at tempo
  • Two improvisational takes showing how to use the technique on a solo or duo gig
  • A seven-string guitar version for players who want the extended lower register

Beginners and intermediate players can follow the concept step by step through the slower examples, while advanced students will get plenty from the improvisational takes. Includes 3 pages of PDF written material in standard notation and TAB (with Howard's personal fretting-hand fingerings) and Soundslice versions of the transcription with adjustable tempo and looping. Running time: 30 minutes.

Lessons in this masterclass

Lessons

  • 1Full Class + Download30m 43s

INTRODUCTION

  • 2Introduction of Basic Concept3m 48s
  • 3First 8 Bars42s
  • 4Explanation and First 16 Bars1m 32s
  • 5The Bridge1m 14s
  • 6Last A Section - Melody in the Lower Voice42s

SLOWER EXAMPLES I

  • 7Slower Examples I - First A Section2m 2s
  • 8Slower Examples I - Second A Section1m 5s
  • 9Slower Examples I - The Bridge44s
  • 10Slower Examples I - Last A - Melody in the Lower Voice41s
  • 11Tips for the Harmony with Melody in the Lower Voice2m 35s

SLOWER EXAMPLES II AND THE STRIDE PIANO VARIATION

  • 12Slower Example II - First two A Sections1m 35s
  • 13Slower Example II - Bridge and Last A Section2m 9s
  • 14The Stride Piano Variation3m 24s

PERFORMANCE VERSIONS

  • 15Full Chorus Performance Example 11h 48m
  • 16Full Chorus Performance Example 2 - Improvisational Take1h 59m
  • 17Full Chorus Performance Example 3 - Improvisational Take1h 27m
  • 18Full Chorus Performance Example 4 - Seven String Guitar Version3m 17s

Soundsliced

  • 19Full Performance with Soundslice1m 48s
  • 20Soundslice Practice Performance1m 48s

Reviews & Ratings

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Henry Rutgers
Verified Purchase
2/17/2019

"Great"

Wonderful demonstration of this style and a great arrangement of Georgia.

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.