Segment Enhanced Masterclass

Guide Tone Lines

Howard Alden·
3.5 (2 reviews)
·INTERMEDIATE·12 lessons·32m 42s of video

About this masterclass

Howard Alden dissects his personal approach to guide tone lines — the key to making the chord changes audible when you play solo, unaccompanied guitar. His simple, straightforward take centers on the 7-to-3 resolution of the ii-V, the motion from the 7th of the ii chord to the 3rd of the V chord that defines the harmony for the listener and gives your lines focus.

What's covered

  • Spotting and defining ii-V motion with the 7-to-3 resolution
  • Understanding the chord progression of Victor Young's Stella by Starlight — a chain of ii-Vs through different keys
  • Inserting guide tones between melody notes and ornamenting them, including half-step approaches
  • Adding bass notes so a solo guitar can sound like a whole orchestra
  • Sustained vs. non-sustained textures to let the music breathe
  • A written example played as-is, then a paraphrased-melody chorus applying the concept to improvisation

If you've ever dabbled with guide tone lines, this class gives you the tools to play them convincingly and improvise with more confidence over any standard.

  • 2 pages of PDF written material in standard notation and TAB, with Howard's personal fretting-hand fingerings indicated
  • Soundsliced versions of the transcription (standard notation and TAB with adjustable tempo and looping)
  • Running time: 14 minutes

Lessons in this masterclass

Lessons

  • 1Guide Tone Lines Full Class + Download14m 47s
  • 2How to Sound Like a Whole Orchestra1m 27s
  • 3Introduction1m 16s
  • 4Ornamenting the Resolution1m 23s
  • 5Play with Howard [Soundslice]59s
  • 6Practice with Midi [Soundslice]1m 25s
  • 7Stella - Melody with Fills1m 14s
  • 8Stella - Paraphrased Melody Example2m 19s
  • 9Stella - Sustained vs Non-Sustained Textures2m 11s
  • 10Stella - Written Example As Is - Played Twice2m 21s
  • 11Understanding The Chord Progression2m 36s
  • 125. Approaching 2nd note from half step below44s

Reviews & Ratings

3.5
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John Duncan
Verified Purchase
7/5/2019

"Excellent course"

Thank you, Howard, for putting this information in such a clear, concise, and useful manner. You are an incredible teacher and an amazing guitarist and also possess the gift of making concepts easily understandable. I was able to take this lesson and put these concepts to work in many of the standards that I have played for years. it added a dimension that I had not previously known to my lines.

Doug Eisenstark
Verified Purchase
3/21/2020

"Not a class or instruction"

Maybe I'm missing something but there was no instruction or lesson here at all.

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.