Technique Masterclass

Gypsy Style Arpeggio Picking

Howard Alden·
5.0 (1 review)
·INTERMEDIATE·21 lessons·54m 51s of video

About this masterclass

Howard Alden teaches gypsy style arpeggio picking — rolling the pick across the strings with rest strokes to get more variety from your chordal playing. Though most often associated with Django Reinhardt, this technique works in swing and modern jazz settings too, and Howard traces it back to his own early years playing tenor banjo.

What's covered

  • The basic rest-stroke motion: picking the top note of a chord, then dragging the pick down across the strings evenly
  • The picks Howard uses — thick gypsy-style picks by Guzman (Spain) and Wegen (Holland) — and why a heavy pick matters
  • A simple open-string exercise with a metronome to build evenness and control
  • The diminished triad exercise, moving up the neck in minor thirds, and applying it over dominant 7th chords
  • Where to place the upstroke so the downbeat lands right, plus a more swinging phrasing variation
  • Adding moving lines, suspensions, and 32nd-note tremolo-like variations for a more florid sound
  • Applying the technique in context on two Duke Ellington tunes: Prelude to a Kiss and Mood Indigo

Even if you've never tried this picking style, the basics here give you a foundation you can use right away, while the variations reward more experienced players as your skills develop.

  • 4 pages of PDF written material in standard notation and TAB, with Howard's personal fretting-hand fingerings indicated
  • Soundsliced versions of the transcription (standard notation and TAB with adjustable tempo and looping)
  • Running time: 28 minutes

Lessons in this masterclass

Lessons

  • 1A More Swinging Phrasing58s
  • 2A Simple Exercise1m 10s
  • 3Adding Moving Lines1m 50s
  • 4Arpeggio Example 12m 25s
  • 5Arpeggio Example 26m 40s
  • 6Arpeggio Example 2A28s
  • 7Arpeggio Example 2B45s
  • 8Arpeggio Example 2B 225s
  • 9Arpeggio Example 2C22s
  • 10Diminished Scale - Variations and Suspensions3m 14s
  • 11Dominant 7th Chord Application53s
  • 12Exercise based on Prelude to a Kiss1m 2s
  • 13Gypsy Style Arpeggio Picking21m 52s
  • 14Introduction1m 38s
  • 15Little Four Note Chords and Song Performance3m 20s
  • 16Mood Indigo - Basic Song Performance1m 37s
  • 17Prelude to a Kiss - Performance Example2m 17s
  • 18The Diminished Triad Exercise1m 26s
  • 19The Picks I Use51s
  • 20When I Played the Tenor Banjo40s
  • 21Where to Play the Upstroke58s

Reviews & Ratings

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Robert Minchin
Verified Purchase
1/28/2019

"Another great mechanism for guitar"

This class revealed another part of the guitar playing puzzle. Howard was clear and concise and presented the material in nice bite size chunks. I find Howards videos to be great resources to improve my playing.

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.