Harmony Masterclass

Howard Alden's Techniques for Harmonizing Melodies with Thirds

Howard Alden·
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·INTERMEDIATE·12 lessons·1h 25m of video

About this masterclass

Howard Alden breaks down his process for harmonizing melodies in thirds — the sound that sits between single-note lines, octaves, and full chord melody. Adding just one note below a melody can make the harmony sound complete, and Howard shows the fingering habits that make it practical, using the classic Out of Nowhere as the vehicle.

What's covered

  • A full one-chorus arrangement of Out of Nowhere in thirds, with Howard's personal fretting-hand fingerings — alternating pairs of fingers, slides, and his knuckle-bar trick
  • Preliminary exercises harmonizing the diminished scale and whole tone scale in thirds — a real workout for fretting-hand strength and independence
  • When to use third harmonization (sometimes one phrase is enough), with examples from Blue Monk and If I Had You
  • Targeting chord thirds in single-note lines, with enclosures and approach tones, demonstrated over All of Me
  • Howard's All of Me etude, played at tempo and slowed down

You'll get 9 pages of PDF material in standard notation and TAB with Howard's fingerings indicated, and the built-in video speed control lets you slow examples down at concert pitch. Running time is 35 minutes, plus 7 minutes of bonus content: a duo performance of Out of Nowhere with Howard Alden and Mike's Master Classes founder Mike Gellar, and candid behind-the-scenes footage.

Lessons in this masterclass

Lessons

  • 1Technique's for Harmonizing Melodies with Thirds Full Class + Download42m 42s
  • 21: Harmonizing the Melody Intro7m 34s
  • 32: Song and Harmonizing in Thirds [Exercise]6m 39s
  • 43: Whole Tone Scale Thirds [Exercise]2m 17s
  • 54: "Out of Nowhere" - Playing the Whole Song3m 1s
  • 65: When to Use Your Third Harmonization59s
  • 76: "Blue Monk" & "If I Had You" - Examples1m 28s
  • 87: "All of Me" - Howard's Etude - Examples10m 44s
  • 98: "All of Me" - Slower Example3m 4s
  • 10Bonus: "Out of Nowhere" Duo with Howard Alden & Mike Gellar5m 27s
  • 11Bonus: Behind The Scenes1m 30s
  • 12Out of Nowhere in Thirds - Soundsliced3s

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About the instructor

Howard Alden
"He may be the best of his generation” – Owen Cordle, JazzTimes. "...one of the very finest young guitarists working today.” – Chip Deffaa, New York Post "If there is such a thing as a complete jazz guitarist, then Alden is it.” - The London Observer “The most impressive and creative member of a new generation of jazz guitarists.” – George Kanzler, Newark Star Ledger From playing all the guitar solos and coaching Sean Penn for the 1999 Woody Allen movie "Sweet and Lowdown” to being a Concord Jazz recording artist since the late ‘80s, Howard Alden has led an amazing career! Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Alden's skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. Howard Alden was voted "Best Emerging Talent-Guitar" in the first annual JazzTimes critics' poll, 1990, and "Talent Deserving Wider Recognition" in the 1996, 1992, 1993 and 1995 Downbeat critics' poll. In 1991, Alden recorded with one of his all-time heroes, seven-string guitar master George Van Eps on the album Thirteen Strings. As a result of his associating with - and inspiration from - George Van Eps, Alden has been playing the seven-string guitar since 1992. Some highlights since picking up the seven-string guitar include the three remarkable follow-up albums with Van Eps, his duo recordings with saxophonist/clarinetist Ken Peplowski, and the stunning interplay between Alden and special guest Frank Wess on Your Story - The Music of Bill Evans. Alden also teamed up with fellow guitarists Jimmy Bruno and Frank Vignola to record a three guitar outing entitled The Concord Jazz Guitar Collective, which was quickly called by some critics "an instant classic!" Alden's recording from 1996 Take Your Pick serves to underline Howard's wide scope of knowledge of jazz literature. Released in honor of Concord's 25th anniversary was a duo recording with Jimmy Bruno, Full Circle teamed with the very first Concord recording Jazz/ Concord featuring Herb Ellis and Joe Pass. His 2009 recording, “I REMEMBER DJANGO”, once again features his distinctive acoustic sound, developing and expanding the warm and elegant spirit of his performance in “Sweet and Low Down”. In 2018, in addition to his solo guitar work, Howard has been asked to join multi-genre violin star Nigel Kennedy in recordings and concerts.