Segment Enhanced Masterclass
Paul's Picking Power Secrets
“I had the good fortune of attending a jazz camp in Maryland a few years ago and Paul was the guitar guru. He commented that my picking was very stiff, and I never got the chance to…”
About this masterclass
Paul Bollenback presents a full workout for the picking hand: exercises he has used for years to keep his picking strong, build coordination between the hands, and get a better sound. He opens with a double-time picking demonstration on a C minor blues, then works through the exercises in five categories, encouraging you to modify each one and make your own variations.
What's covered
- Pick-hand mechanics: how to hold the pick, leading-edge angle, and changing your grip without losing your playing
- Single-string chromatic exercises with all four stroke options — all down, all up, alternate starting down, alternate starting up
- A fixed number of attacks per note (4-3-2-1) applied to scales and arpeggios, including a B-flat major 7 arpeggio
- The 24 four-finger combinations without repeating, as left-hand material
- Two-string and string-crossing work: fifths, scales in thirds, and all adjacent string pairs
- Combining picking with hammer-ons and pull-offs on two and three notes per string — and why three notes per string is Paul's favored approach
- Economy and sweep picking with different down/up stroke patterns
- A string-plucking "prepare and release" technique borrowed from classical guitar, and how it connects to rhythm and tone
- Applying the material to improvising, with a closing application on Autumn Leaves
A PDF of the three-notes-per-string picking variations is included, plus a Soundslice exercise on picking the F major scale. More fun than reading a book on technique, and a resource you can return to whenever your chops need a tune-up.
Lessons in this masterclass
Lessons
- 1Picking45m 23s
Section I
- 2Introduction2m 11s
- 3Mechanics1m 31s
- 4Single String Chromatic Exercise3m 38s
- 5Alternate Picking Exercise Variations4m 41s
- 6Alternate Picking Variation Used on Solo2m 11s
- 7String Crossing Picking Hand Options1m 49s
Section II
- 8Left Hand Form on 2 Strings2m 44s
- 9Different String Combinations2m 58s
- 10Correlation to Improvising1m 16s
- 11Using Different Numbers of Attack3m 17s
- 12Application on Arpeggios - BbMaj7 Arpeggio2m 3s
- 13Number of Notes Per Strings2m 29s
- 14Adding Hammer-Ons and Pull-Offs1m 26s
Section III
- 15Economy Picking and Sweep Picking2m 4s
- 16Back To 2 Notes Per Strings2m 6s
- 17Right Hand Picking Movement Details6m 11s
- 18Application on Autumn Leaves and Closing Tips3m 11s
Soundslice
- 19Picking F Major Scale - Soundslice3m 55s
Reviews & Ratings
"Paul’s Picking Extravaganza! "
Excellent course specifically for the picking hand! I hope there is follow up on this course as far as tempos how to handle them, articulation, slurring, sliding, hammering: when to do (for speed, effect). Thx Paul!
"You should have showed us the stove in Let's Burn One!"
I had the good fortune of attending a jazz camp in Maryland a few years ago and Paul was the guitar guru. He commented that my picking was very stiff, and I never got the chance to ask him for advice on how to make things better. I am therefore very glad that put out these two picking courses to help me improve my picking.
"Very useful"
I found this course very useful and helpful in my own playing and have incorporated much of Paul’s suggestions into my daily practice. Developing and maintaining good picking technique is an ongoing process and requires a regular return to basics. Thanks a Paul!

