The Harmonic and Melodic Minor Scales: Chord and Scale Fingering

David Cohen·
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·BEGINNER·Chord Voicings·1 lesson
In this master class aimed at the beginning-intermediate jazz guitarist, a wealth of information is presented that will allow one to visualize the harmonic and melodic minor scales and the chords that belong to them across the entire neck of the guitar.  Not only will you be able to see exactly how a great number of chords, voicings, and extensions come from the scale in a visual way, but an exhaustive number of fingering options will be discussed including:  1.  Position playing, which pertains to the idea of Mode Zones - where the first finger dictates one of 7 "Mode Zones" that a player can be in.  2.  3 notes-per-string (3 NPS) concepts and practicing stretches.  3.  Sliding scales, which are patterns that repeat on 2 string groups.  4.  Full range scales - fingerings which traverse the entire guitar neck.  5.  1-string, 2-string, and 3-string playing.  Continuing on, some scale patterns are presented which can be applied to any scale.  Next, are discussions on triads that come from the scale, triad pairs, and "triad triples" which allow for harmonizing the scales in a simple way on 3-string sets.  At the end of the video, we put it all together over "Take the A Train" Some important harmonic minor concepts discussed: The Phrygian Dominant mode to use over a dominant 7 chord Diminished 7th arpeggios Simple scale passages that work over ii V i Turning a major ii V I into a harmonic minor ii (minor7b5)  V7b9  i Some important melodic minor concepts discussed: The interchangeablilty of melodic minor:  Minor-Major 7, 7#11, Minor 7 flat 5 chords, and Altered Dominant 7th chords, and their respective modes, can all exchange licks and chord shapes! The famous "Jim Hall chord" As a result of this video, you will have a large number of ideas to use these scales which can add a great deal of variety to your playing. Materials included with TAB. VIew clips from this class

Course Content

Lessons

  • The Harmonic and Melodic Minor Scales: Chord and Scale Fingering4860

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About the instructor

David Cohen
Baltimore-based Composer/Guitarist/Drummer/Educator David E. Cohen is featured in a number of groups including No Signal, a modern classical and jazz ensemble, the Banana Channel which performs his progressive rock, jazz-fusion, and classic rock pieces, the No Land Band in which he is the lead guitarist and a contributing songwriter. Mr. Cohen has composed a number of jazz and classical works, including pieces for big band, four-guitar ensemble, chorus with electric guitar, solo double bass, full orchestra, chamber orchestra and soprano, brass quintet, solo percussion, amongst many others. His musical influences are diverse, including John Coltrane, Wayne Shorter, Herbie Hancock, Jean-Luc Ponty, Return to Forever, Billy Cobham, Mahavishnu Orchestra, Tony Williams, Charlie Christian, Pat Martino, Kenny Burrell, Joe Pass, George Benson, Jimmy Smith, The Brecker Brothers, Larry Coryell, Bartok, Stravinsky, Debussy, Messaien, Shostakovich, Prokofiev, Steve Reich, The Beatles, Stevie Wonder, Yes, Emerson Lake and Palmer, Kansas, Rush, Soundgarden, Led Zeppelin, David Bowie, Mastodon, and others. As an educator, Dave offers a unique view in his teaching methods. Trained at the world-class Peabody Conservatory by Paul Bollenback, Tim Murphy, Chris Theofanidies, Kevin Puts, Nicholas Maw, Shafer Mahoney, Paul Mathews, and Libby Larsen, he has many timeless compositional and jazz ideas to share. His instruction style is a fully comprehendible, step-by-step approach which emphasizes the understanding of music theory through an incredibly thorough system of guitar fingerings and visualization methods. Dave has many years of teaching experience and shares them week after week with his 25-student studio. David will present basic classes for the entry-level jazz guitarist.