The Harmony of Ravel & Debussy For Guitar

Guitarist Mike Godette translates chord voicings from the piano music of Claude Debussy and Maurice Ravel onto the guitar, showing how impressionist harmony can work in a jazz context. Mike spent years combing through piano scores, circling voicings that could be adapted to the fretboard, and organized the best of them into this class.

What's covered

• Voicings organized into four tonalities: major, minor, dominant 7, and minor 7b5
• Major seven and major nine voicings drawn directly from impressionist piano writing
• 18 chord combinations for major and minor ii–V–I progressions using these voicings
• Practical tips for handling the wide stretches that come with pianistic voicings, including posture adjustments and finding keys where each shape sits comfortably
• How to move voicings around the neck to discover where they translate best

This is a strong fit for intermediate to advanced players who want to expand their chord repertoire beyond standard jazz guitar shapes and explore new harmonic territory. Some voicings involve serious stretches — Mike encourages you to skip or relocate any that don't sit well and keep the ones that do.

Running time: 53 minutes. 10 pages of PDFs included.