The Joy of Practicing
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The Joy of Practicing covers:
- Ideas for making practice sessions more fun and approaching music and musical development with a positive attitude
- Breakdown of three types of musicians with a discussion of the differences in goals for each
- Discussion of technique practice with examples of right and left hand exercises, as well as scale and chord exercises to improve technical proficiency
- Note-recognition exercises for help with learning note names on the neck, as well as reading notation and rhythmic notation reading exercises
- Devoting separate practice time to rhythmic development, with multiple examples
- Discussion of listening to music, both "actively" and "passively," and its importance in a musician's development
- Step-by-step breakdown of suggested routine for learning a new tune accurately and thoroughly
- Concise but complete list of what to practice to develop harmony, chords, and comping, with multiple examples
- Exploration of single-note improvisation with examples of applying concepts of voice leading, guide tones, approach and target notes, chord tone versus chord scale approach, development of intervallic patterns, reharmonization techniques, and motivic development
- Discussion of composition and its importance to musical development, with suggestions and tips
- Running time: 126 minutes
- Includes 25 pages of written examples and exercises
- All musical examples from the video are provided in music notation, tablature, and chord grid form.
- Each example performance in the video is titled and numbered for easy navigation.
- MP3 backing tracks for written examples and solos
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Section 10
1. 10 Three Octave Scales For Technique Practice - Ex 4A to 4J
3m 37sMain Content
2. A Systematic Approach to Harmony
2m 29s3. Active Listening
55s4. Chordal Things - Ex 5 and Ex 6
2m 1s5. Click on the and of 2
1m 49s6. Closing Thoughts and Outro Performance
2m 3s7. Defining Practice
1m 48s8. Ear Training Exercises 1 to 4
2m 8s9. Ear Training Exercises 5 to 7
2m 10s10. Ex 1 - Eighth Note in 4/4 missing h in eighth
1m 8s11. Ex 1 - Left Hand Slurs and Variations
1m 11s12. Ex 1 - Note Row
2m 3s13. Ex 2 - 8th Note Triplets
2m 35s14. Ex 2 - Finger Independence
2m 13s15. Ex 2 - Note Row on High E String
1m 32s16. Ex 2a - Note Row in 5th Position
1m 54s17. Ex 3 - Eighth Note Reading
13m 11s18. Ex 3 - Giuliani Right Hand Study
39s19. Ex 3b Sixteenth Note Reading
2m 30s20. Giuliani Exercises
1m 50s21. Goals For the Hobbyist
32s22. Goals For the Professional
1m 42s23. Goals For the Semi-Professional
1m24. Harmony Ex 1 to 5
5m 36s25. Harmony Ex 6 to 10
7m 30s26. How Kenny Werner Practices
51s27. Improvisation Ex 1 and 2
2m 7s28. Improvisation Ex 11 and 12
3m 32s29. Improvisation Ex 3 and 4
1m 34s30. Improvisation Ex 5 to 7A
3m 20s31. Improvisation Ex 8
2m 6s32. Improvisation Ex 9 and 10
3m 35s33. Intro Song
1m 40s34. Intro to Rhythm Practice
39s35. Introduction & About My Guitar (Tuning and Fanned Frets)
2m 1s36. My Practice List and Practice Time Organisation
2m 23s37. One Small Subject In Great Detail
1m 53s38. Practicing Guitar, Video Games, and Life
2m 59s39. Repertoire Ex 1 to 4
2m 48s40. Repertoire Ex 10 - Chord Melody
1m 24s41. Repertoire Ex 5 and 6
2m 12s42. Repertoire Ex 7 and 8
1m 34s43. Repertoire Ex 9 - Alternate Changes and Color Tones
1m 48s44. Repertoire List Guidelines
34s45. Slow Scales and Meditation
2m 1s46. Staying Relaxed
1m 24s47. Stop Trying To Get Better
42s48. The Importance of Listening
2m 30s49. The Importance of Repertoire
1m 46s50. The Joy of Practicing
2m 7s51. The Lifetime Master List and The Short Term Master List
1m 30s52. The Surprisingly Most Successful Way To Practice
52s53. Tom's Personal Approach to Composition
4m 16s54. Transcribe! Software Tutorial
11m 23s55. Two Approaches to Transcription
3m 9s56. Variations with Improvisation
1m 50s57. Warming Up Like Scott Tennant
31s58. Why Learn to Read
1m 28sReviews & Ratings
Tom is genius.<br /> I bought this class. It's amazing!<br /> I have all your class and I recomend.<br /> All of best for you Tom!<br /> Roberto Barros from Brazil!
Very inspiring course on a subject that some find difficult to deal with. Tom's enthusiasm and love for the instrument are in abundance - offering practical advice and unique insight into the guitar and its nature. My go-to when I need a boost in my practice routine.
very complete lesson , and at the same time it's pretty open ended ! Tom shares his take on elements that should be adressed during practice brilliantly !
This was my first Course at Mike's Masterclasses. The Content is very inspiring and huge amount of useful material. Tom is a great teacher. Meanwhile I own a few other courses from Tom Lippincott. They are all brilliant!. Jo Savin
This lesson is great for learning to create thorough practice sessions, the .pdf is invaluable as a jumpstart-checklist, with a few things I'd never thought of... Concision is a virtue with Mr. Lippingcott -great work! - Steve Nye
Tom Lippincott is a master! I have gone through the first 3 Modern Jazz guitar style classes, and he leaves no stone unturned. A masterful musician and educator with a delicate soul. His classes will take you to new heights with all of his insight. The Joy of Practicing is by far my favorite! I too have graduated to enjoying the process of practice, and was taken back to days when practice was fun! It still is! Thank you Tom for being alive! Your efforts will never be lost!
Tom is great and my favorite teacher. This is a very useful class which will open doors...Thanks, Tom for being such a great teacher! L
The lesson is very complete! Covers a lot of material to be studied in long term! If you don't know how to structure your practice routine it is the best place to start. All the advice given about ear training and listening skills. Tom made a complete picture of what should be practiced according to your objectives!
I have almost every one of Tom's classes, and I have NEVER regretted a single purchase. I have learned an astronomical amount of new, fresh, interesting, useable ideas from every one of his classes, and this one is no exception. Tremendous class.