Technique Masterclass

The Life-Vest Arpeggio Part II

Genil Castro·
5.0 (2 reviews)
·INTERMEDIATE·1 lesson·37m 44s of video

About this masterclass

Genil Castro continues his Life Vest Arpeggio approach in this follow-up to his popular The Life Vest Arpeggio for Jazzers masterclass. Picking up where Part I left off, Genil takes the major seventh arpeggio and starts altering it — raising the fifth, lowering the third — to unlock even richer extended and altered sounds over complex progressions.

What's covered

  • Simple, powerful ways to play over min7b5, dominant 7th (both altered and Lydian b7 sounds), tonic minor, and minor ii–V–I progressions
  • Using a major seventh sharp-five arpeggio a step below a dominant chord to get the sharp 11
  • Playing a minor-major seventh arpeggio a half step above an altered chord
  • Soloing with extended harmonic sounds over the bossa nova classic The Girl From Ipanema
  • Genil's personal "911 strategies" — reliable arpeggio fallbacks when a progression gets you in trouble
  • The transformations that form the basis of Genil's jazz soloing style

Best taken after Part I, once the major seventh arpeggio is already in your fingers. You'll come away with several arpeggio choices for every chord type instead of one.

Full video is 37 minutes. 9 Pages PDF.

Lessons in this masterclass

Lessons

  • 1Life Vest Arpeggio Full Class37m 44s

Reviews & Ratings

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John Duncan
Verified Purchase
8/11/2020

"Insightful is an understatement!!!!"

If you are having trouble organizing your sound options when soloing over the standards, and have "had it" with learning a hundred scalar variations, this course will solve your problems. Sr. Castro is frankly one of the best teachers I have seen and his work in his series on the "lifeboat arpeggio" will give you a new way of thinking, a new system of organizing, and a revolutionary new insight into the fretboard that will make approaching even the most difficult standard understandable. Moreover, his insight enables you to do this "on the fly," while you are performing a tune. I wish that I had the opportunity to study with this amazing player and teacher when I was a young man, but at least I have found his insights so helpful even after over 40 years of playing jazz. Thank you, Sr., Castro, for your insight and flawless teaching style!

yakov esterlis
7/14/2020

"Life VEST ARPEGGIO"

incredible useful material. thank you very much for your lessons

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About the instructor

Genil Castro
Studies: Genil Castro started to play in 1981, he studied with the great Bossa Nova guitar player Sidney Barros ( Gamela). During the period of 1983/84 Genil enrolled Guitar Institute of Technology in Hollywood, California where he attended workshops and seminars by Lenny Breau, Howard Roberts, Mick Goodrick, Joe Diorio, Ron Eschete, Joe Pass, Tommy Tedesco, Larry Coryell and Moacir Santos. He also attended seminars by Joe Diorio in Brazil in 1985, 1989 and 1995. Licensed in music education by University of Brasília, Genil has a Masters Degree in Musicology, with the thesis: “What chord is that? Plurality: the creative process of resignification of melodic and harmonic structures” Performance: Influenced by Lenny Breau and Bill Evans Genil follows the tradition of the ‘electric lap piano” utilising artificial harmonics to expand the harmonic palette of the instrument. Genil played concerts, and/or recorded TV programs with João Donato, Hamilton de Holanda, Toninho Horta, Joe Diorio, Jeff Andrews, Don Burrows, Phil DeGreg, Lula Galvão, Nelson Faria and many others. He recorded the CD CircumAmbulation in 2009. Teaching: Genil teaches the following classes: guitar, history of the guitar and performance at CEP/EMB Escola de Música de Brasília since 1999. He gave seminars in various festivals across the country. Since 2006 he teaches online lessons to students from different continents. Genil Castro's approach to jazz is comfortable for any level of guitarist. He has a unique ability to teach difficult concepts in a simple way.